Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that no one else is protected either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one with the most mentioned books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as a trilogy. Did it genuinely end the way you planned it through the beginning?

A: Very much so. While Some know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process.

Q: We understand you worked around the initial screenplay for any film to be depending on The Hunger Games. What may be the biggest difference between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. If you are adapting a novel into a two-hour movie you simply can't take everything with you. The story has to become condensed to match the modern form. Then there is the question of methods best to look at a novel told within the first person and provides tense and transform it in a satisfying dramatic experience. In the novel, you don't ever leave Katniss to get a second and are privy to all of her thoughts so you need a method to dramatize her inner world and to generate it possible for other characters to exist outside her company. Finally, there is the challenge of the way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A lot of things are acceptable over a page that wouldn't be over a screen. So how certain moments are depicted may ultimately be in the director's hands.

Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed inside world you get lucky and be currently creating so fully it is simply too hard to take into consideration new ideas?

A: We've a number of seeds of ideas floating around in my head but--given very much of my focus is still on The Hunger Games--it will likely be awhile before one fully emerges and i also can start to develop it.

Q: The Hunger Games is a yearly televised event through which one boy and one girl from each from the twelve districts is expected to participate in a fight-to-the-death on live TV. What can you think the benefit of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an fascination with seeing who wins. The contestants are often unknown, which means they are relatable. Sometimes they have very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I have found very disturbing. There's also the possibility for desensitizing the audience, in order that whenever they see real tragedy playing out on, say, the news, it doesn't have the impact it should.

Q: In the big event you were forced to compete in the Hunger Games, exactly what do you think your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope will be to acquire hold of your rapier if there is one available. But reality is I'd probably get of a four in Training.

Q: What would you hope readers should come away with after they read The Hunger Games trilogy?

A: Questions about how elements in the books could be relevant of their own lives. And, when they are disturbing, whatever they might do about them.

Q: What were some of the favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it's for world control. While it is often a clever twist for the original plot, it indicates that there is less focus around the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life right into a less vibrant Katniss by displaying despair both at those she feels in charge of killing and and also at her very own motives and choices. This is surely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very evidenced in his voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also helps to produce the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each one from the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.